{"id":97617,"date":"2026-10-13T00:35:06","date_gmt":"2026-10-13T07:35:06","guid":{"rendered":"https:\/\/gvmled.com\/?p=97617"},"modified":"2026-10-13T00:36:29","modified_gmt":"2026-10-13T07:36:29","slug":"video-light-top-5-best-filmmaking-2026","status":"publish","type":"post","link":"https:\/\/gvmled.com\/es\/video-light-top-5-best-filmmaking-2026\/","title":{"rendered":"Video Light TOP 5: Best Picks for Every Filmmaking Need in 2026"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Picture two clips side by side. The first: a subject&#8217;s face half-lost in shadow, the background blown out, skin tones swinging between orange and blue. The second: clean catchlights in the eyes, balanced exposure across the frame, colors that match the scene without a single grading pass. The only difference between them is one thing: the\u00a0<strong>video light<\/strong>\u00a0in use.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"GVM 1200B AIO \u2014 Maximum Power in an All-In-One Form Factor \u26a1\" width=\"1200\" height=\"675\" data-src=\"https:\/\/www.youtube.com\/embed\/6PQ3KHjDL2s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe>\n<\/div><\/figure><p class=\"wp-block-paragraph\">Whether you are running a YouTube channel, a small film set, or a livestream, lighting is the single most leveraged piece of gear you will ever buy. Get it right, and even a basic camera looks cinematic. Get it wrong, and the most expensive camera in the world looks amateur. The right&nbsp;<strong>video light<\/strong>&nbsp;for the job depends on what you are shooting, where, and how often. Here are the five form factors and five flagships that actually deliver in 2026.<\/p><h2 class=\"wp-block-heading\">Why Natural Light Eventually Stops Being Enough<\/h2><p class=\"wp-block-paragraph\">Every creator starts with natural light. It is free, soft, and forgiving \u2014 perfect for a vlog in golden hour. The problems start the moment a channel or client expects consistency:<\/p><ul class=\"wp-block-list\"><li>Weather and time of day are not under your control.<\/li>\n\n<li>Backlight destroys faces unless you carry a fill.<\/li>\n\n<li>Color temperature shifts between indoor window light and warm lamps, and matching them in post is hours of work.<\/li><\/ul><p class=\"wp-block-paragraph\">The day a shoot must happen on a deadline, the day a livestream runs after sunset, the day a client walks into a dim room \u2014 that is the day a&nbsp;<strong>video light<\/strong>&nbsp;stops being optional.<\/p><div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/gvmled.com\/wp-content\/uploads\/2025\/09\/1200B.png\" alt=\"Best Video Light AIO 1200\" class=\"wp-image-78301\" title=\"\" srcset=\"https:\/\/gvmled.com\/wp-content\/uploads\/2025\/09\/1200B.png 800w, https:\/\/gvmled.com\/wp-content\/uploads\/2025\/09\/1200B-300x300.png 300w, https:\/\/gvmled.com\/wp-content\/uploads\/2025\/09\/1200B-100x100.png 100w, https:\/\/gvmled.com\/wp-content\/uploads\/2025\/09\/1200B-150x150.png 150w, https:\/\/gvmled.com\/wp-content\/uploads\/2025\/09\/1200B-768x768.png 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/figure><\/div><h2 class=\"wp-block-heading\">What Is the Best Type of Light for Video?<\/h2><p class=\"wp-block-paragraph\">El mejor&nbsp;<strong>video light<\/strong>&nbsp;for video meets six conditions every working creator can verify:<\/p><ol class=\"wp-block-list\"><li><strong>Adjustable color temperature<\/strong>\u00a0(3000K\u20135600K at minimum; 2700K\u20136800K is the 2026 professional sweet spot).<\/li>\n\n<li><strong>High color rendering<\/strong>\u00a0\u2014 CRI 95+ for human-eye accuracy, TLCI 95+ for camera sensor accuracy. Below that, skin tones drift and you will lose hours in post.<\/li>\n\n<li><strong>Flicker-free dimming<\/strong>\u00a0\u2014 stepless 0\u2013100% control prevents banding in your footage.<\/li>\n\n<li><strong>Soft, even output<\/strong>\u00a0\u2014 diffusion, large source area, or built-in panels.<\/li>\n\n<li><strong>Portability and flexible power<\/strong>\u00a0\u2014 AC for studio, V-mount or NP-F for outdoors.<\/li>\n\n<li><strong>Reliable control<\/strong>\u00a0\u2014 onboard plus app or DMX for multi-light rigs.<\/li><\/ol><p class=\"wp-block-paragraph\">No single light masters all six. The five below each dominate a specific role.<\/p><h2 class=\"wp-block-heading\">Core Video Light Types and What They Do Best<\/h2><ul class=\"wp-block-list\"><li><strong>Ring Lights<\/strong>\u00a0\u2014 flattering, shadowless, perfect for beauty, makeup, and close-to-camera talking heads. Catchlight signature is unmistakable.<\/li>\n\n<li><strong>Panel Lights \/ Softboxes<\/strong>\u00a0\u2014 the workhorse. Even illumination, large surface area, excellent for interviews and livestreams as key or fill.<\/li>\n\n<li><strong>COB Monolights<\/strong>\u00a0\u2014 point-source beasts that accept Bowens-mount modifiers (softboxes, reflectors, projection). The studio standard for shaping light.<\/li>\n\n<li><strong>RGB Atmosphere \/ Accent Lights<\/strong>\u00a0\u2014 pixel bars, tubes, and color panels. Not the main key, but they pull serious weight in backgrounds, in-frame practicals, and mood.<\/li>\n\n<li><strong>Flexible Mat Lights<\/strong>\u00a0\u2014 thin, bendable, mount-anywhere. The secret weapon for tight spaces, vehicle interiors, and overhead rigs.<\/li><\/ul><h2 class=\"wp-block-heading\">Practical Video Light Setups (1-Light, 2-Light, 3-Light)<\/h2><h3 class=\"wp-block-heading\">1-Light Setup (Budget Solo Creator)<\/h3><p class=\"wp-block-paragraph\">Use a single <strong>video light<\/strong>\u200b as your key. Place it at 45\u00b0 to the side and slightly above eye level. Bounce a small white card into the shadow side for instant fill. That&#8217;s it \u2014 one <strong>video light<\/strong>, one bounce, one clean look.<\/p><h3 class=\"wp-block-heading\">2-Light Setup (Standard YouTube \/ Talking Head)<\/h3><p class=\"wp-block-paragraph\">Add a second <strong>video light<\/strong>\u200b as a rim light:<\/p><ul class=\"wp-block-list\"><li><strong>Key<\/strong>: One <strong>video light<\/strong>\u200b at 45\u00b0 front-side, illuminating the face.<\/li>\n\n<li><strong>Rim<\/strong>: A second <strong>video light<\/strong>\u200b placed behind the subject, aimed at the hair and shoulders to create separation from the background.<\/li>\n\n<li><strong>Best ratio<\/strong>: Key at 100%, rim at 30\u201350%.<\/li><\/ul><p class=\"wp-block-paragraph\">Two <strong>video lights<\/strong>\u200b give you depth and polish without overcomplicating your rig.<\/p><h3 class=\"wp-block-heading\">3-Light Setup (Pro \/ Multi-Cam)<\/h3><p class=\"wp-block-paragraph\">Three <strong>video lights<\/strong>\u200b give you full control:<\/p><ul class=\"wp-block-list\"><li><strong>Key<\/strong>: Main <strong>video light<\/strong>\u200b on the subject.<\/li>\n\n<li><strong>Fill<\/strong>: Second <strong>video light<\/strong>\u200b to soften shadows (lower power, opposite side).<\/li>\n\n<li><strong>Background \/ Accent<\/strong>: Third <strong>video light<\/strong>\u200b dedicated to the backdrop or adding color.<\/li><\/ul><p class=\"wp-block-paragraph\">Use app or DMX control so all three <strong>video lights<\/strong>\u200b respond together in one tap. This is the standard for professional multicam productions.<\/p><div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" width=\"800\" height=\"800\" data-src=\"https:\/\/gvmled.com\/wp-content\/uploads\/2025\/10\/PRO-SD-650C.jpg\" alt=\"Best Video Light 650C\" class=\"wp-image-79381 lazyload\" style=\"--smush-placeholder-width: 800px; --smush-placeholder-aspect-ratio: 800\/800;width:714px;height:auto\" title=\"\" data-srcset=\"https:\/\/gvmled.com\/wp-content\/uploads\/2025\/10\/PRO-SD-650C.jpg 800w, https:\/\/gvmled.com\/wp-content\/uploads\/2025\/10\/PRO-SD-650C-300x300.jpg 300w, https:\/\/gvmled.com\/wp-content\/uploads\/2025\/10\/PRO-SD-650C-100x100.jpg 100w, https:\/\/gvmled.com\/wp-content\/uploads\/2025\/10\/PRO-SD-650C-150x150.jpg 150w, https:\/\/gvmled.com\/wp-content\/uploads\/2025\/10\/PRO-SD-650C-768x768.jpg 768w\" data-sizes=\"(max-width: 800px) 100vw, 800px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><\/figure><\/div><h2 class=\"wp-block-heading\">The TOP 5 Best Video Lights in 2026 \u2014 Full Reviews<\/h2><h3 class=\"wp-block-heading\">#1 GVM 1200B AIO \u2014 Best High-Power All-in-One Monolight<\/h3><p class=\"wp-block-paragraph\">The 1200B AIO solves the single biggest problem with traditional 1200W lights: the heavy external ballast. By integrating power supply and control into the fixture head, GVM has cut setup time to under 60 seconds and removed the cable-trip hazard from the floor. Output is serious \u2014 42,800 lux at 3m with the standard reflector \u2014 enough to fake direct sunlight indoors.<\/p><p class=\"wp-block-paragraph\"><strong>Ventajas:<\/strong>&nbsp;1200W draw with all-in-one architecture; 0.01% ultra-fine dimming; 2700K\u20136800K bi-color; CRI\/TLCI 97+; Bluetooth app; fast setup.&nbsp;<strong>Cons:<\/strong>&nbsp;Heaviest in the lineup; the price point is real money.&nbsp;<strong>Mejor para:<\/strong>&nbsp;Fast-paced commercial sets, music videos, large-scale studio key lights, and sunlight simulation.<\/p><h3 class=\"wp-block-heading\">#2 GVM PRO SD650C \u2014 Best Professional Full-Color RGBWW Spotlight<\/h3><p class=\"wp-block-paragraph\">If you need punch, color, and control in one fixture, the SD650C is the new benchmark under $700. 95,530 lux at 1m with a standard reflector, full HSI 360\u00b0 color, 60 built-in Rosco\/Lee gel presets, and proper broadcast-grade control via 5-Pin DMX, RDM, RF, and Bluetooth. The weather-resistant split-ballast design also means it can survive outdoor shoots and stage grids.<\/p><p class=\"wp-block-paragraph\"><strong>Ventajas:<\/strong>&nbsp;Massive 95,530 lux @ 1m output; full HSI + 60 gel presets; 5-Pin DMX\/RDM broadcast control; weather-resistant build.&nbsp;<strong>Cons:<\/strong>&nbsp;650W requires serious power infrastructure on set.&nbsp;<strong>Mejor para:<\/strong>&nbsp;Commercial color washes, theatrical lighting, music video FX, anywhere you need punchy RGB and broadcast control.<\/p><h3 class=\"wp-block-heading\">#3 Aputure Nova P600c \u2014 Best Professional Full-Color Soft Light Panel<\/h3><p class=\"wp-block-paragraph\">The Aputure Nova P600c is the de facto industry standard for high-end narrative and broadcast studios. 600W of native soft light across a wide 120\u00b0 beam angle floods subjects with flattering illumination without any modifier. Sidus Link app, LumenRadio CRMX, and 5-Pin DMX make it slot into any professional rig. The removable handheld control box is a small but welcome workflow touch.<\/p><p class=\"wp-block-paragraph\"><strong>Ventajas:<\/strong>&nbsp;600W native soft light; 300+ gel presets; LumenRadio CRMX wireless; detachable control box.&nbsp;<strong>Cons:<\/strong>&nbsp;$3,290 price tag is real; large form factor.&nbsp;<strong>Mejor para:<\/strong>&nbsp;Studio broadcasts, high-end commercial portraits, narrative cinematography, large area fill.<\/p><h3 class=\"wp-block-heading\">#4 GVM ZipTile Z200B \u2014 Best Space-Saving Modular Flexible Mat Light<\/h3><p class=\"wp-block-paragraph\">The ZipTile Z200B is the panel that goes where no rigid light can. At 26mm thin and 1.97 kg, it mounts to walls, ceilings, and vehicle interiors with Velcro or clamps. The clever zipper system lets you join multiple panels instantly into a larger soft source without tools. Passive cooling means zero fan noise \u2014 perfect for sensitive audio environments.<\/p><p class=\"wp-block-paragraph\"><strong>Ventajas:<\/strong>&nbsp;26mm ultra-slim, 1.97 kg; passive cooling (no fan); zipper modular joining; V-mount battery compatible.&nbsp;<strong>Cons:<\/strong>&nbsp;Output is modest compared to a 1200W COB.&nbsp;<strong>Mejor para:<\/strong>&nbsp;Tight interiors, vehicle shoots, ceiling-mounted overhead rigs, silent audio recordings, run-and-gun documentary work.<\/p><h3 class=\"wp-block-heading\">#5 Aputure INFINIBAR PB6 \u2014 Best Seamless Pixel Bar Light<\/h3><p class=\"wp-block-paragraph\">The INFINIBAR PB6 is the practical-light secret of narrative cinematographers. 48 individually controllable RGBWW pixels along a 60cm bar generate smooth color gradients, chase effects, and dynamic motion \u2014 exactly what in-frame practicals and vehicle light pass-bys need. The flat, seamless end-to-end mounting connectors let you build geometric arrays without dark gaps. Built-in battery means no cable on set.<\/p><p class=\"wp-block-paragraph\"><strong>Ventajas:<\/strong>&nbsp;48 independent pixels; seamless mechanical joining; 100-min built-in battery; full Sidus Link \/ DMX \/ CRMX control.&nbsp;<strong>Cons:<\/strong>&nbsp;18W is fill\/accent power, not key-light power.&nbsp;<strong>Mejor para:<\/strong>&nbsp;In-frame practicals, motion FX, vehicle accent lighting, RGB background washes.<\/p><div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"768\" height=\"576\" data-src=\"https:\/\/gvmled.com\/wp-content\/uploads\/2026\/09\/1200-4.png\" alt=\"Best Video Light AIO 1200  outdoor\" class=\"wp-image-97064 lazyload\" title=\"\" data-srcset=\"https:\/\/gvmled.com\/wp-content\/uploads\/2026\/09\/1200-4.png 768w, https:\/\/gvmled.com\/wp-content\/uploads\/2026\/09\/1200-4-300x225.png 300w, https:\/\/gvmled.com\/wp-content\/uploads\/2026\/09\/1200-4-16x12.png 16w\" data-sizes=\"(max-width: 768px) 100vw, 768px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 768px; --smush-placeholder-aspect-ratio: 768\/576;\" \/><\/figure><\/div><h2 class=\"wp-block-heading\">Head-to-Head Comparison Table<\/h2><figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th class=\"has-text-align-left\" data-align=\"left\">Rank &amp; Model<\/th><th class=\"has-text-align-left\" data-align=\"left\">Marca<\/th><th class=\"has-text-align-left\" data-align=\"left\">Form Factor<\/th><th class=\"has-text-align-left\" data-align=\"left\">Price (USD)<\/th><th class=\"has-text-align-left\" data-align=\"left\">Power \/ CCT<\/th><th class=\"has-text-align-left\" data-align=\"left\">Ventaja Clave<\/th><th class=\"has-text-align-left\" data-align=\"left\">Best Use Case<\/th><\/tr><\/thead><tbody><tr><td>#1 GVM 1200B AIO<\/td><td>GVM<\/td><td>All-in-One Monolight<\/td><td>$1,399<\/td><td>1200W \/ 2700K\u20136800K<\/td><td>Integrated PSU, 0.01% dimming, 60s setup<\/td><td>Fast sets, large key light, sunlight<\/td><\/tr><tr><td>#2 GVM PRO SD650C<\/td><td>GVM<\/td><td>RGBWW Spotlight<\/td><td>$699<\/td><td>650W \/ 2000K\u201310000K<\/td><td>95,530 lux @ 1m, 60 gels, 5-Pin DMX<\/td><td>Commercials, stage FX, color washes<\/td><\/tr><tr><td>#3 Aputure Nova P600c<\/td><td>Aputure<\/td><td>Soft Panel<\/td><td>$3,290<\/td><td>600W \/ 2000K\u201310000K<\/td><td>600W native soft light, 300+ gels, CRMX<\/td><td>Broadcast studio, narrative, portraits<\/td><\/tr><tr><td>#4 GVM ZipTile Z200B<\/td><td>GVM<\/td><td>Flexible Mat<\/td><td>$389<\/td><td>200W \/ 2700K\u20136800K<\/td><td>26mm ultra-slim, zero fan, zipper link<\/td><td>Tight spaces, vehicles, silent audio<\/td><\/tr><tr><td>#5 Aputure INFINIBAR PB6<\/td><td>Aputure<\/td><td>Pixel Bar<\/td><td>$479<\/td><td>18W \/ 2000K\u201310000K<\/td><td>48 pixels, seamless joining, built-in battery<\/td><td>In-frame practicals, motion FX, accents<\/td><\/tr><\/tbody><\/table><\/figure><h2 class=\"wp-block-heading\">Buying Guide: Which Video Light Should You Buy First?<\/h2><ul class=\"wp-block-list\"><li><strong>First key light under $500:<\/strong>\u00a0GVM ZipTile Z200B. Soft, silent, battery-capable, modular.<\/li>\n\n<li><strong>First studio key under $1,500:<\/strong>\u00a0GVM 1200B AIO. Pro output, integrated power, fast setup.<\/li>\n\n<li><strong>First RGB workhorse under $700:<\/strong>\u00a0GVM PRO SD650C. Massive output, full broadcast control.<\/li>\n\n<li><strong>First broadcast-grade investment:<\/strong>\u00a0Aputure Nova P600c. Industry standard, accepted everywhere.<\/li>\n\n<li><strong>First creative accent:<\/strong>\u00a0Aputure INFINIBAR PB6. Pixels, battery, effects.<\/li><\/ul><p class=\"wp-block-paragraph\">Rule of thumb: buy one excellent key first, then expand into fill and background. Skip single-color-temperature lights \u2014 bi-color and RGB future-proof your kit.<\/p><div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"768\" height=\"576\" data-src=\"https:\/\/gvmled.com\/wp-content\/uploads\/2025\/06\/rgb-video-lights-faq-icon.jpg\" alt=\"A stylized question mark, symbolizing the frequently asked questions about 300W LED video lights and lighting solutions for filmmakers.\" class=\"wp-image-73444 lazyload\" title=\"\" data-srcset=\"https:\/\/gvmled.com\/wp-content\/uploads\/2025\/06\/rgb-video-lights-faq-icon.jpg 768w, https:\/\/gvmled.com\/wp-content\/uploads\/2025\/06\/rgb-video-lights-faq-icon-300x225.jpg 300w\" data-sizes=\"(max-width: 768px) 100vw, 768px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 768px; --smush-placeholder-aspect-ratio: 768\/576;\" \/><\/figure><\/div><h2 class=\"wp-block-heading\">Preguntas frecuentes<\/h2><p class=\"wp-block-paragraph\"><strong>Q1: What is the best type of light for video?<\/strong>\u00a0<\/p><p class=\"wp-block-paragraph\">A bi-color or RGB COB monolight with adjustable color temperature (2700K\u20136800K), CRI 95+, and flicker-free dimming. The GVM 1200B AIO and GVM PRO SD650C are top picks in this category.<\/p><p class=\"wp-block-paragraph\"><strong>Q2: Are ring lights good for YouTube?<\/strong>\u00a0<\/p><p class=\"wp-block-paragraph\">Yes, for close-to-camera talking heads and beauty work. They lack the directional punch of a COB or panel, so for cinematic interviews, upgrade to a soft panel or monolight.<\/p><p class=\"wp-block-paragraph\"><strong>Q3: How bright does a video light need to be in Lux?<\/strong>\u00a0<\/p><p class=\"wp-block-paragraph\">For a key light in a typical room, aim for at least 2,500\u20135,000 lux at 1m. For larger interiors or sun-balanced exteriors, 40,000+ lux is realistic \u2014 the GVM 1200B AIO hits 42,800 lux at 3m with a reflector.<\/p><p class=\"wp-block-paragraph\"><strong>Q4: What is the difference between a COB and a panel light?<\/strong>\u00a0<\/p><p class=\"wp-block-paragraph\">COB lights are bright point sources that you shape with modifiers. Panels produce broad, even, ready-to-use soft light without extra gear. Both have their place; pick COB for shaping and power, panel for fast soft output.<\/p><p class=\"wp-block-paragraph\"><strong>Q5: Can I run video lights on batteries?<\/strong>\u00a0<\/p><p class=\"wp-block-paragraph\">Yes \u2014 many of the lights above support V-mount or NP-F batteries. Always check the wattage against the battery capacity; a 1200W draw will drain even a large V-mount fast, so batteries are best for 200W-class portable work.<\/p><p class=\"wp-block-paragraph\"><strong>Q6: Do I need RGB for video?<\/strong>\u00a0<\/p><p class=\"wp-block-paragraph\">Not for standard talking-head content. RGB becomes valuable for branded backgrounds, creative color washes, theatrical work, and any production that needs precise color identity.<\/p><h2 class=\"wp-block-heading\">Final Verdict<\/h2><p class=\"wp-block-paragraph\">La derecha&nbsp;<strong>video light<\/strong>&nbsp;is the one that matches the form factor of your shoot.&nbsp;<strong>GVM<\/strong>&nbsp;dominates three of the five flagship slots in 2026 with the 1200B AIO, PRO SD650C, and ZipTile Z200B \u2014 a complete range covering fast sets, broadcast color, and impossible-to-reach locations. Aputure&#8217;s Nova P600c and INFINIBAR PB6 round out the kit with broadcast-standard soft light and creative pixel control. Build around the form factors you shoot in, and stop fighting your footage.<\/p>","protected":false},"excerpt":{"rendered":"<p>Picture two clips side by side. The first: a subject&#8217;s face half-lost in shadow, the background blown out, skin tones swinging between orange and blue. The second: clean catchlights in the eyes, balanced exposure across the frame, colors that match the scene without a single grading pass. The only difference between them is one thing: &#8230; <a title=\"Video Light TOP 5: Best Picks for Every Filmmaking Need in 2026\" class=\"read-more\" href=\"https:\/\/gvmled.com\/es\/video-light-top-5-best-filmmaking-2026\/\" aria-label=\"Leer m\u00e1s sobre Video Light TOP 5: Best Picks for Every Filmmaking Need in 2026\">Leer m\u00e1s<\/a><\/p>","protected":false},"author":7,"featured_media":91694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[306],"tags":[],"class_list":["post-97617","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-product-launch"],"_links":{"self":[{"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/posts\/97617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/comments?post=97617"}],"version-history":[{"count":6,"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/posts\/97617\/revisions"}],"predecessor-version":[{"id":97624,"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/posts\/97617\/revisions\/97624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/media\/91694"}],"wp:attachment":[{"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/media?parent=97617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/categories?post=97617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gvmled.com\/es\/wp-json\/wp\/v2\/tags?post=97617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}