{"id":42632,"date":"2022-08-15T20:21:12","date_gmt":"2022-08-16T03:21:12","guid":{"rendered":"https:\/\/gvmled.com\/?p=42632"},"modified":"2022-08-15T20:48:02","modified_gmt":"2022-08-16T03:48:02","slug":"6-questions-that-must-be-paid-attention-to-in-photography-lighting","status":"publish","type":"post","link":"https:\/\/gvmled.com\/ja\/6-questions-that-must-be-paid-attention-to-in-photography-lighting\/","title":{"rendered":"6 questions that must be paid attention to in photography lighting"},"content":{"rendered":"\t\t
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6 questions that must be paid attention to in photography lighting<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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We’ve all had bad lighting<\/b><\/strong><\/a>\u00a0ruining what should be a perfect photo, usually I spend an hour pre-lighting, and despite all the preparation I’ve tried, the results are often unsatisfactory .<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Everyone has their own familiar lighting scene, but arriving at a brand new location can be overwhelming. Here are a few tips that might help you get through a lighting crisis.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1.<\/b><\/strong><\/b>Avoid excessive or insufficient ambient light<\/b><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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When shooting on location, a proper mix of ambient and artificial light can create a sense of drama and atmosphere that natural light<\/b><\/strong><\/a>\u00a0cannot. But keeping the balance of ambient and artificial light in a photo is crucial, too much or not enough ambient light can ruin a photo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Use the\u00a0right<\/a><\/b><\/strong>\u00a0<\/b><\/strong>shutter speed to keep the two in balance, and fine-tune the exposure based on the feeling you want to convey.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Remember that ambient light is a powerful helper, and don’t ignore the 1\/200 second shutter sync speed.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2.<\/b><\/strong><\/b>Find the most suitable lighting method for the subject<\/b><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Whether it is round, square, thin or fat, each face has its own beautiful angle, so each face has its own suitable\u00a0lighting<\/a><\/b><\/strong>\u00a0<\/b><\/strong>method. The general rule is that a long face with sharp edges and corners is suitable for a harder light, while a round face is suitable for a soft light.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Therefore, it is very important to understand the subject before shooting. Different lighting <\/b><\/strong><\/a>methods are designed according to different subjects. Reasonable lighting can often surprise people.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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3.<\/b><\/strong><\/b>Light stand is essential<\/b><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The effect of top light is dramatic and powerful, but without a light stand, it would be impossible to arrange a top light. I knew that I needed a light stand from the beginning of photography, but at that time, my wallet was empty, and I couldn\u2019t bear to risk an expensive photographic\u00a0light<\/a><\/b><\/strong>\u00a0<\/b><\/strong>on a cheap light stand.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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So I tried all kinds of things, I hung the camera light on the background frame, or I hung it directly from the ceiling. The attempt was successful, but it was difficult to operate in actual shooting.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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When I finally got a\u00a0light<\/a><\/b><\/strong>\u00a0stand I felt like the whole world had changed… I could place the camera light wherever I wanted, and lighting was a breeze.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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If you’ve looked at lighting for commercial photography, you’ll find that a soft top light is essential and acts as a natural light. And when other lighting methods are not satisfactory, try top lighting, it may be a brand new way. Of course, first you need a light stand.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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4.<\/b><\/strong>Avoid light sources that are too far away<\/b><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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When I browse the web, I often find that some netizens place the light source at a distance of 3 to 5 meters from the subject, so that the light emitted is flat and weak. Usually the closer the light<\/b><\/strong><\/a>\u00a0<\/b><\/strong>source is, the softer the light falls on the model’s face.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Don’t be afraid to place the light source too close to the model, sometimes my camera light is only 30cm from the model’s cheek.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Of course, if you intend to use high-hardness light, then a sufficient distance is essential, 5 to 6 meters is not an exaggeration. But if you use soft light<\/b><\/strong><\/a>,<\/b><\/strong>\u00a0you must be close enough, 30-60 cm is appropriate.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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5.<\/b><\/b>Avoid too bright<\/b><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lighting is a game of light and shadow, but it is shadows, not light, that create a sense of drama, yet many photographers don’t realize this yet.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Once you’ve set up the set, try to slowly reduce the\u00a0light\u00a0<\/a><\/b><\/strong>output, and you’ll find that as the shadows increase, so does the drama.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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6.<\/b><\/b>Don’t forget the reflector<\/b><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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As the most easily forgotten tool in system lighting<\/b><\/strong><\/a>, the role of reflectors is actually not small. When placed next to strong shadows, it can effectively reduce contrast and greatly increase the latitude in post.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Many photographers like to fill in the light<\/b><\/strong>\u00a0<\/a>below the model’s chest to create a beautiful silhouette, or in the opposite direction of the main light source to fill in the shadows. All in all, fill light is an essential step in lighting.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sometimes none of these methods work, but don’t give up, the model’s next turn can change everything.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Just keep shooting, no one gets the perfect shot the first time you shoot.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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GVM recommends a light and easy-to-use photography light for you:<\/b><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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GVM-680RS<\/b><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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GVM 50W RGB Led video lighting with APP Control,
360\u00b0Full Color, CRI 97+ for Gaming, Streaming, YouTube,
Broadcasting, Web Conference, Photography<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The main features of the product are Infinitely adjustable
RGB color and dual color temperature characteristics,
brightness\/color temperature RGB hue\/color purity can
be controlled at will, color temperature range 3200K~5600K
The use of high CRI LED lamp beads helps restore and enrich the
color of the object, providing you with natural and vivid shooting effects.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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8 Kinds of Scene Lights:
Lighting\uff0cPolice Car\uff0cCandelight
TV\uff0cBad Light Bulb\uff0cDisco
Paparazzi\uff0cParty<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Featuring Mobile Bluetooth APP control function
can be controlled light by smart mobile device
Search the APP \u201cGVM_LED\u201d from major APP stores or the manual<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Featuring 560 LED beads
(176 RGB LEDs, 192 cool white LEDs, 192 warm white LEDs) ,
Make it have excellent performance in large scene shooting.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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GVM 680RS is made of aluminum alloy material,
coupled with excellent heat dissipation design,
durable, can shoot for a long time<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Solid & Adjustable Light Stand,Made of aluminum alloy,
giving it exceptional strength for heavy duty work;
Maximum Height: 6.5 feet\/2 meters;
Folded Height: 3 feet\/92 centimeters Solid locking capabilities
ensure the safety of your lighting equipment when in use.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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6 questions that must be paid attention to in photography lighting We’ve all had bad lighting\u00a0ruining what should be a perfect photo, usually I spend an hour pre-lighting, and despite all the preparation I’ve tried, the results are often unsatisfactory . Everyone has their own familiar lighting scene, but arriving at a brand new location can be overwhelming. Here are a few tips that might help you get through a lighting crisis. 1.Avoid excessive or insufficient ambient light When shooting on location, a proper mix of ambient and artificial light can create a sense of drama and atmosphere that natural light\u00a0cannot. But keeping the balance of ambient and artificial light … \u7d9a\u304d\u3092\u8aad\u3080<\/a><\/p>","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-42632","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/posts\/42632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/comments?post=42632"}],"version-history":[{"count":4,"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/posts\/42632\/revisions"}],"predecessor-version":[{"id":42650,"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/posts\/42632\/revisions\/42650"}],"wp:attachment":[{"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/media?parent=42632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/categories?post=42632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gvmled.com\/ja\/wp-json\/wp\/v2\/tags?post=42632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}